![]() “The lights didn’t go down on that production for 25 minutes. Her first experience of the theatre came the day she moved to Stratford and her father charmed the woman on the box office into letting them watch a famously controversial production of The Taming Of The Shrew for a fiver. Given that at the tender age of four Fleetwood made her decision to be an actress, later making her debut aged 11 on the RSC stage, ambition is not something that comes as much of a surprise. I don’t suffer fools in a way that I used to.” ![]() I’m very lucky that my husband works so he can support those choices as well. Fleetwood has her theories: “You become a bit more choosy about what you do. Whether this is Fleetwood’s sunny attitude which never dips over the course of our interview, or the fact that having children has actually made her more ambitious, is impossible to tell. Since becoming a mother, Fleetwood describes her career as having been “much more fruitful”. I really wanted to investigate more new writing as a performer and when this script came in I knew I wanted to do it immediately.” “As a mum of two kids, trying to juggle all of that and be an actress, it really spoke to me as a piece about modern parenthood.”Īs a mother to a seven-year-old and an 18-month-old, playing a role where she both had to be pregnant – “100-years pregnant! I’ve got a very big bump, I rehearsed with that from day one” – as well as bring her own experiences of motherhood to the script were important factors in choosing to do Harris’s play: “It deals with issues that I suppose are present in my stage of life, I’m in as a mum of two kids, trying to juggle all of that and be an actress, and it really spoke to me as a piece about modern parenthood.” “I think you just get into a groove and people think you just do classical or whatever. “There’s no reason why I haven’t done more new writing,” Fleetwood explains when I ask her if the play was a deliberate move to take her out of her comfort zone. While it may be her critically-acclaimed depictions of Shakespeare’s leading women that she’s best known for, when I meet Fleetwood in the Bush theatre’s cosy library café it is to discuss her role in Nancy Harris’s latest play, Our New Girl, a thriller about a woman whose seemingly perfect life falls apart when a new nanny arrives unexpectedly on her doorstep. ![]() #Kate fleetwood professional#It might seem odd to attribute a moment at such a young age to be a key moment in your professional life, but when you’re one of Britain’s most respected Shakespearian actresses, her dad’s decision to choose a job in Stratford over Lincolnshire was pivotal. At the age of just four to be exact when her Liverpudlian parents moved her and her six-year-old sister to a farm just outside Stratford-upon-Avon, an event that she calls an “absolutely huge influence” on her career. ![]()
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