![]() ![]() Interracial Creampie 10:23 xHamster African Bbc Bbw Creampie Interracial Kissing Mature.something different.! 6:33 xHamster African Amateur Ass Homemade Interracial Massage Mature Milf Wife.Hill watches all of Everett’s show from some empty side seats, beaming and cackling, which was heartening – how many performers can watch the same show over and over and still outwardly adore it? As the two are evidently friends I would have loved to see them bounce off each other in a collaboration, but the audience probably wouldn’t have stood a chance faced with both of them. ![]() I’m not a fan of cabaret that implies that fat women’s bodies are worthy of laughter on their own, and I was even less of a fan of Everett’s trick of forcibly plunging front-row patrons’ faces into her expansive bosoms and crotch – sure, there was a 50% chance they were there for her but does a mere spot in the front row equal consent? Cabaret to me had always been about titillation rather than immersion, but Everett seems determined to prove me wrong. I originally wrote a one-sentence review of her hour onstage, on the “notes” section on my phone – “Drunk mum at a breakfast buffet” – and I still stand by it. Photo: Kevin YatarolaThough not a drag act, Everett’s show is a larger-than-life projection as much as Hill’s is, and I’m often struck by shades of voluptuous drag filth pioneer Divine within her show. Swigging something long from a paper bag, she burst into song, belting out – “we’re going to fuck, fuck, fuck, fuck fuck this shit up” – and the audience went ballistic – her reputation had preceded her and they, unlike me, were very, very, ready for this, nip-slips, crotch-pops and all. If you don’t like Amy Shumer’s hot-mess beer-swilling bad-girl, “VAGINA”, schtick, her contemporary Bridget Everett probably won’t be your Long Island Iced Tea. Her sole props for the night were two water bottles and a clean towel, which struck us as…ominous. He works the front tables, ogling and teasing, slyly drawing laughs with practiced ease – most of the comedy tonight comes direct from the audience as he harnesses the almost too-low-hanging fruit in the form of white people dancing as he pits unwitting audience member’s moves against each other for very modest prizes.Īfter a short intermission, Bridget Everett descended. He bemoans the “basement in Brisbane” that he’s playing but gives a high-energy hour despite being a little visibly tour-wrecked and jetlagged. “I know what you’re thinking…is it a man or a woman up there? The answer is no.” Though he’s raised issue with the term “drag king”, Hill’s persona, born of an art-school graduate thesis over 20 years ago, was created in the image of a mostly-cheesy, little-bit-sleazy vaudeville MC in a three-piece suit, and turns gender on its head, slaps it on the ass and buys it a cocktail. We’d been lucky enough to see Murray HIll MCing for world-class showgirl Dita Von Teese last year – keeping a throbbing Tivoli crowd happy as the lovely Dita changed frocks with his sexy, high-pizazz “Mr Showbiz” energy, and we were eager for more tonight in Act 1. We were off to the Brisbane Powerhouse’s intimate Visy Theatre to see a double bill – cabaret comedians Murray Hill and Bridget Everett. Straight from NYC, alt-cabaret chums Murray Hill and Bridget Everett get up close and personal with the Queensland Cabaret Festival audience in a show no one’s forgetting in a hurry. ![]()
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